- This question comes from reading David Blakesley’s chapter, “Defining Film Rhetoric: The Case of Hitchcock’s Vertigo.” Blakesley makes the statement, “As a predominantly visual medium, film makes identification even more inviting than it might otherwise be” (pg. 129-130). He goes on to discuss how movies are able to make a quicker and more identifiable connection between characters and audience, compared to the character connection made in books. This struck me as surprising when he compared the two mediums and the difference in character and audience identification. It seems that books are able to create a memorable and more complete character that an audience can identify with as well. In your opinion which medium do you feel does the better job of creating a character that the audience can identify with, and why?
- In Blakesley’s article he also discusses the aim of rhetoric in films as identification (pg. 117). He states that for the audience “identification functions as desire, as an assertion of identities...we pursue that identification as one way of expressing our consubstantiality.” As humans we enjoy the opportunity to pretend and desire to be someone else, and the use of film is powerful in drawing that desire of identification out of the audience. I can still remember how much I wanted to be a Power Ranger when I was younger, and in my mind I thought I could do all the stunts and fighting. Can you think of a character that you desired to be when you were younger, or a character that you identified with in films? What about that character allowed you to make that identity connection?
- Another idea that Blakesley highlights is the use of visuals and their impact on what we believe. “Seeing is believing, but believing is seeing as well” (pg. 112). When I think of the visuals we encounter everyday and the movies that are made, I can’t help but think of all the effects that went in to making those visuals. Pictures and magazine covers are edited and airbrushed, movies have special effects, and most of the stunts we see in movies are animated. So many of the visuals we take in are not real, so how can we believe what we see? Based on what most of us know about the tools used to make these false visuals, what can we do as the receivers of messages in order to make real judgments about what we see? Do our beliefs in certain things distract us from seeing the truth in other things?